December 12, 2006

Post #13- 9/11

September 11, 2001. As a junior in high school I never imagined I would see a day that would bring loads of sentiment to anyone and everyone who ever heard the date mentioned even five years after the fact.

I hated Spanish class. I was sitting in the back left of the classroom looking out the window wishing I was out there instead of in this god forsaken classroom. My day dream was interrupted when Mr.Scott's (head of security for the school) panicked voice came over the loud speaker telling everyone "Not to be alarmed" and that there was news and that the teachers should turn on the televisions in the classrooms to be further informed. Mrs. Rosa (my teacher) turned on the T.V. and the world, with the press of the "On" button, completely changed. Teachers who were supposed to be collected were panicked, Mrs.Rosa's husband was a pilot. Security that was supposed to keep order was faced with something they don't train for and were lost themselves. Students, good students, ignored authority and did whatever they could to get to a phone. School was no longer school, it was just a huge mass of people in hectic dismay.

I was in disbelief. What actually just happened? Why was everyone freaking out? After being surrounded by good friends, peers, and teachers crying, questioning, yelling, it hit me that I should be crying, questioning, or yelling, because what I saw on T.V. did really happen and it was time to get to a phone. After waiting what seemed like a lifetime I called my Dad, who travels all the time. No answer. Again, and again,and again no answer. Now I fed into all that was going on around me and panicked. Finally, I got through to my Mom who was somehow collected and let me know my father was fine. 

Now five years later I feel guilt about that day more than anything else. While I was sitting in a safe classroom with my friends, daydreaming about being outside, wishing I didn't have to take this class, worrying about trivial things like clothes and boys, right at that time there were petrified people on planes wishing they could be on the ground, that they didn't take that flight, trying to get through to their loved ones to say their last goodbyes.

Its difficult to find meaning in something as tragic as 9/11 and I believe I will pursue that meaning for the rest of my life because people can write as many books as they need and come up with as many quotes they feel necessary but the bottom line is that 9/11 was a different experience for all that lived it and the meaning of that day varies from person to person.

December 06, 2006

Post #12- Wall Street

The 1980s marked an era of unprecedented self-indulgence. The baby boomers had grown into a status-driven population and the Forbes’ List of the wealthiest people in the world became wildly popular. As the dot.com businesses took a prominent spotlight, the stock market at Wall Street soared bringing with it the American penchant for speculative buying and the entrepreneur’s equally profound temptations towards corruption. The Oliver Stone move, “Wall Street” captures the predatory games of the 1980s businessman as well as the people who fall victim on the way.

As phrases such as “You can have it all!” and “Shop ‘til you drop” were coined, inflation rose exponentially, and consumers bought on credit with relentless zeal. This, many business-owners promoted, was the way to once again bolster the American economy. This sentiment was, perhaps, best expressed by Gordon Gekko (played by Michael Douglas) who, in response to the criticisms of Oliver Cromwell, delivered a rebuttal with this final remark: “The point is, ladies and gentlemen, that greed – for lack of a better word – is good. Greed is right. Greed works. Greed clarifies, cuts through, and captures the essence of evolutionary spirit. Greed in all of its forms – greed for life, for money, for love, knowledge – has marked the upward surge of mankind. And greed – you mark my words – will not only save Teldar Paper but that other malfunctioning corporation called the USA.” [1]

The 1980s was a time of great opportunies and profits – for the wealthy. “The top one percent commanded a greater share of the nation’s wealth (thirty-seven percent) than at any time since 1929.” [2] This meant, however, that gap between the wealthy and the working class was larger than it had been in decades. Gekko starts his response with Cromwell with a not-so-subtle reminder that he is the largest shareholder of Teldar Paper. Though he initially seems to be pleading his case to the assembly, it becomes quickly evident that he is in control. This demonstrates the incredible leverage the 1980s business tycoon had to manipulate corporations to suit their benefits.

Meanwhile, young professionals everywhere were trying desperately to grasp some of that wealth. “What counterculture hippies were to the 1960s, high-salaried “yuppies” (young, upwardly mobile professionals)were to the 1980s.”[3] Bud Fox’s goal was to “bag the elephant” – in this case, Gekko. Though he has some initial ethical concerns, the dreams of money and success draws him to Gekko’s side and he soon finds himself thinking only of the next big paycheck. Thus, was a younger generation of money-driven corruption bred.

It is notable that not only was “Wall Street” a movie set in the 1980s but that it was also produced in the 1980s. It is an unsentimental portrait of a corrupt corporate America and both its justifications and consequences. “Greed is good. Greed is right. Greed works.” Said enough times, it eventually sounds true.

[1] Wall Street. Dir. Oliver Stone. Perfs. Michael Douglas, Charlie Sheen, Daryl Hannah, Martin Sheen. DVD. Prod Oliver Stone; Twentieth Century Fox, 1987.

[2] Davidson, Heyrman, Lytle, Stoff, and Gienapp. Nation of Nations. 4th ed. New York: McGraw Hill, 2006. pg 950.

November 29, 2006

Post #11- The 1970's

     1970 was fraught with widespread discontent from the American people with the government and its authorization of the Vietnam War. It was 1970 that uncovered the atrocious events at My Lai and furthered lowered the Americans’ faith in their troops. This disillusionment with war was coupled with a growing trend in environmental awareness and protection. It is therefore unsurprising that the top movies and songs of 1970 featured a combination of earth-centered, anti-war, and pro-pacifist themes.

     The top ten movies of 1970 were, in descending order: “Love Story” (grossing 106.4 million dollars), “Airport!” ($100.5 million), “M.A.S.H.” ($81.6 million), “Patton” ($62.5 million), “The Aristocats” ($55.7 million), “Woodstock” ($34.5 million), “Little Big Man” ($31.6 million), “Ryan’s Daughter” ($30.8 million), “Tora! Tora! Tora!” ($29.5 million), and “Erinnerungen an die Zukenft (Chariot of the Gods)” ($25.9 million) [1]. “Airport!” featured a former World War II demolition expert as the major threat to the passengerers, “M.A.S.H.” heavily parodied a military outfit in the Korean War, “Patton” portrayed an elitist and ruthless leader, “Little Big Man” painted General Custer as a bloodthirsty egomaniac, “Ryan’s Daughter” examined the effects of post-war trauma on former soldiers, and “Tora! Tora! Tora!” speculated on the mistakes and incompetency surrounding the Pearl Harbor bombing. These movies were to some degree anti-war propoganda. Even “Love Story” promoted the idea that love was enough and that “love means never having to say you’re sorry” – resonant of the pacifism that was gripping the nation. “Woodstock” highlighted the drug problem that plagued Americans who desperately sought to escape the troubles of 1970. In addition “Aristocats” and “Erinnerungen an die Zukenft,” fantastical in nature, could also be indications of escapism during 1970.

     It is evident that the same audience who flocked to the theatre tuned into the radio. The top ten songs of 1970, in descending order, were: “Raindrops Keep Falling On My Head,” “I Want You Back,” “Venus,” “Thank You,” “Bridge Over Troubled Waters,” “Let it Be,” “ABC,” American Woman,” “Everything is Beautiful,” and “The Long and Winding Road.[1]” Through similes and metaphors, the basic device for most songs, an undercurrent of harmony with nature and its beauty ran throughoug. Amid the normal love songs, lyrics like “because I’m free, nothing’s worrying me,” and “speaking words of wisdom, let it be, let it be” reflected the growing pacifist sentiment. “ABC” stands out from this list as having virtually no discernible theme, though the lack of a theme is itself a statement about America’s search for an escape.

     That heavily represented anti-war movies ran concurrent with the unusually low draft numberers is not a coincidence. Young men all over the country were finding ways to avoid Vietnam. A prospect would rely on a “doctor’s affidavit certifying a weak knee, flat feet, or bad eyes” or a college graduate on his “critical occupation” such as teaching or engineering to stay home from war [3]. Cowardice? Maybe in some cases. In the majority of the cases, however, this unheard of unpatriotism stemmed from the deep aversions of the atrocities committed in this unwinnable and – in many citizens’ opinions – unjustified war.

     While by themselves, these movies and songs might not have done as well (“Love Story” is notorious for its combination of over – and under – acting, snooze-worthy montages, and occasionally absurd script-writing), the 1970 battle-weary-tree-hugging America paved their way to success.

[1] “Internet Movie Database.” Internet Movie Database. IMDB.Com. 20 Nov. 2006.

[2] Davidson, Heyrman, Lytle, Stoff, and Gienapp. Nation of Nations. 4th ed. New York: McGraw Hill, 2006. pg 892-893

November 15, 2006

Post #10- 1950s Project

The Korean War

November 08, 2006

Post#9-Comments

This week I commented on the following posts. I enjoyed reading all of them. If any of you have any questions about my comments please let me know. 

Mark Baumgardner, Group Post #7, Group 3 

Sara Mutnick, Individual Post #4, Group 3

Tyler Schwab, Individual Post #4, Group 3

November 01, 2006

Post #8- We the Jury

  Modern-day Jury:

      After reviewing the many collaborating testimonies of the witnesses, for the murder of Clara Rehberg, we the jury find the defendant Edward Rehberg not guilty due to their failure to eliminate reasonable doubt. The following is a review of each testimony.

      Emma Rehberg was the first to testify, and stated that the defendant was “working at the haystack”[1] throughout the Sunday in question. According to Ms. Rehberg’s testimony, the defendant had not had an opportunity to spend any significant length of time with the victim until that evening, when the said victim complained of feeling unwell, upon which the defendant brought his daughter into town to seek the help of a physician.

      The testimony of Bertha Rehberg followed, and concurred with Emma Rehberg in stating that the defendant had spent the entire day by the haystacks. Furthermore, we quote her testimony as stating, “I would have known it if my father had beaten the child Sunday forenoon.”[1] Whether or not this exonerates the defendant from any previous beatings of his daughter, according to Bertha Rehberg, such a beating did not occur on the Sunday in question. In addition, her testimony placed Clara Rehberg, the victim, in the kitchen helping Louisa, her stepmother, with chores throughout the day. This supports the defendant’s alibi and separates him and his daughter for much of that Sunday.

      The following witnesses were four doctors, Dr. Holzschuher, Dr. Brown, Dr. Steele, and Dr. Hunter, who attested to the condition in which they found the victim. Each of the four agreed on the extent of her bruises and wounds, as well as the presence of a high-grade fever. However, the testimonies of these doctors, especially Dr. Hunter, are questionable. Dr. Hunter claimed that the child had been “so beaten and bruised as to superinduce a condition of piemia or septicemia.” However, septicemia, or sepsis, is an “inflammatory state resulting from systemic bacterial infection.”[2] A beating which only induced bruising, though certainly painful, could not have caused the “systemic bacterial infection” which Dr. Hunter claims to have caused Clara’s death. This leads to some doubt of the validity of these “expert” witnesses, as well as their motives.

      The defendant, predictably, denied his involvement in his daughter’s death. He also reiterated his alibi, which the following witness, Joe Tiebow, confirmed. He had worked for Mr. Rehberg and testified that the two of them had worked together all day at the haystack.

      Finally, Mr. E.D. Weed gave testimony of Clara’s dying declaration. He made very clear that although Clara did not seem to have a strong religious upbringing or a understanding of rewards and punishments in the afterlife, “she knew it was her duty to tell the truth and that her statement was made under the sense of that duty.”[1] The child was witnessed as denying any accusation against her father, repeatedly saying that he did not do it. Furthermore, she refused to see her stepmother, Louisa, unless accompanied by her father. Having been asked multiple times who beat her, she finally replies, “I told you my step-mother did it. My father didn’t hurt me at all.”[1]

      Although we can not make any presumptions pertaining to the guilt of the defendant’s wife, after reviewing the collaborative testimonies of Emma Rehberg, Bertha Rehberg, Joe Tiebow, and Edward Rehberg, as well as the questionable testimonies of Dr. Holzschuher, Dr. Steele, Dr. Brown, and Dr. Hunter, we cannot find, in our good conscience, Edward Rehberg guilty of the murder of his daughter, Clara Rehberg.

Would a 19th Century Jury rule differently?

      The modern-day verdict relies heavily on the testimonies of Emma and Bertha Rehberg, as well as the dying declaration of Clara Rehberg. Furthermore, it takes into account the gross misdiagnosis of Dr. Hunter, which significantly damages the credibility of all four of the doctors. However, it is probable that in a 19th century court, these factors would have played very different roles.

      The striking difference would be in the credibility of the women witnesses. The 19th century woman, although seen as the moral guardians of the nation”[3], were not taken very seriously in the court of law. The 19th century woman was “They were kept out of most jobs, denied political rights, and given only limited access to education beyond the elementary grades.”[4] Therefore, although women may have been seen to be morally superior to men, they were viewed as uneducated and impressionable; they might not have lied willingly, but could be easily misled to believe a falsehood. This would only count doubly in Clara’s case.

      In fact, Clara’s testimony is severely damaged with the revelation that “She did not display any great moral or religious training.” [1] and would “swear” often. Moreover, the witness had stated that he was uncertain as to whether “she would not tell the truth.”[1] These would be enough to dismiss the child’s testimony that her father was innocent.

      Thus, though unfortunate, it is very likely that a 19th century jury would have found Edward Rehberg guilty of the murder of his daughter, Clara Rehberg.

[1] "State vs. Rehberg (1885)" Reader: History 120 Fall 2006 (1885): 17-32. 1 Nov. 2006
[2]"Sepsis and Septic Shock." The Merck Manuals. Nov. 2005. Merck Medical. 1 Nov. 2006
[3]Davidson, Heyrman, Lytle, Stoff, and Gienapp. 4th ed. New York: McGraw Hill, 2006. pg 320
[4]Davidson, Heyrman, Lytle, Stoff, and Gienapp. 4th ed. New York: McGraw Hill, 2006. pg 333

October 25, 2006

Post #7- Battles of Manassas

The following website is our project on the first and second Battles of Manassas.

http://bigdukesgmu.typepad.com/photos/battle_of_manassas_1_2/

October 19, 2006

Post # 5 & 6- Barrow's Plantation

The following website is of our project on Barrow's Plantation.

http://hist120lai.typepad.com/photos/barrows_farm/

October 03, 2006

Post#4- Catlin's View Of Native American Culture Through Art

Pigons_egg_head George Catlin was an artist who travelled West from the 1830s to the 1850s to observe Native American culture and shared his views through paintings. In his painting "Pigeon's Egg Head" (1837-1839) Catlin gives the message that civilization destroys Native American culture.

"Pigeon's Egg Head" (Left)

"Pigeon's Egg Head" is a "before and after painting" if you will. To the left is a before image of Wi-jun-jon (Pigeon's Egg Head). He is dressed in a buck skin suit, feathers, and is holding some sort of ceremonial intrument. This clothing is of a proud Indian who exhibits his culture through his dress. On the right we see Wi-jun-jon dressed in a general's uniform, high heel boots, top hat, with bottles of whiskey in his back pockets. In the "before" Wi-jun-jon is facing Washington, D.C., where he is to travel. On the right side, or the "after" version of Wi-jun-jon, he is back from being exposed to civilization and is now an image western civilization. On the "after" side we see no Indian heritage, it has been destroyed by civilization.   

The Native Americans were very proud people. Proud of their culture, people, and land. When whites began to push for a removal bill the Indians "...enacted the death penalty for any member who sold tribal lands to whites without consent of the governing general council."[1]  The Indians fought for their culture but the white influence was too expansive. "Cherokee society had become more stratified and unequal, just as white society, and economic elites dominated the tribal government." "...slavery became harsher and a primary means of determining status, just as southern white George_catlin society."[2] 

Catlin's message that civilization destroys Native American culture agrees with history. The Indians were forced to leave their land due to the removal bill passed in 1830 or to conform due to migration and incursions. 

Catlin at age 52 (Left)

For a short biography on George Catlin visit http://monet.unk.edu/mona/artexplr/catlin/catlin.html

1. Nation of Nations (p.294)

2. Nation of Nations (p.294)

September 26, 2006

Post#3- Comments

This week I commented on the following posts. To everyone I commented on I learned something from all of you.

Individual Post#1- Ruda Albaidi

        http://ralobad1.typepad.com/my_weblog/2006/09/post_1_creation.html#comment-22961712

Indivdual Post#1- Nosheen Gheisari

       http://noosh.typepad.com/my_weblog/2006/09/1_the_passage_o.html#comment-22962652

Individual Post#1- Scott Morehouse

      http://scotty5184.typepad.com/my_weblog/2006/09/1_variations_of.html#comment-22964301